I’ve been more active on Instagram lately, and had the pleasure of being a guest on my friend Sydney‘s live stream earlier this evening, where talked about two Legend of Zelda pieces: “Great Fairy Fountain”, from Ocarina of Time, and “Song of Healing”, from Majora’s Mask. Here’s a brief recap of what we covered in our hour-long stream!
Great Fairy Fountain
Pattern Recognition:
- Straight quarter notes in the main melody
- Melodic contour
- Chords – in the three sixteenth notes following each beat within each measure, the notes are the same!
Inversions:
- same chord, different voicings
- for example: C-E-G is in root position, then first inversion has E on the bottom, and second inversion has G on the bottom!
The opening of this piece is a Db dominant 7 + 9 chord, with different inversions, going up and up and up!
Register:
- piano is a really good instrument to show register
- bass/lower register: power! epic, scary
- treble/higher register: delicate, fairy-like, sparkly
- piano can contribute so many different feelings and moods because of its incredible range! 88 keys / 7.5 octaves
Song of Healing
Form/Sections:
- A section:
- Lydian mode (maybe!?)
- Syncopation
- melody + accompaniment line up on the downbeat, but accompaniment starts playing on the upbeat
- Melodically-based
- the memorable melody occurs in the beginning of this song
- Lydian mode (maybe!?)
- B section:
- Major
- Even Rhythms
- Harmonically-based
- more recognizable chords in the second section, not as memorable of a tune as the beginning
- Major
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We talked about a few other things, answering questions and talking more generally about the musical genius that is Koji Kondo 🙂
Be sure to follow Sydney on Smart Game Piano, and her Instagram of the same name, and please follow me on Instagram as well! ^_^ We may do more of these lives streams together in the future, so stay tuned!