Okay, no one asked for this: here’s another angry/funny article. Haven’t done one of these in a while—in fact, the only other angry/funny article I wrote before this one was about Arianna Grande in Final Fantasy: Brave Exvius. And I already see a pattern!!? I apparently have lots of pretend/real grievances against Square Enix… Though this one is aimed more toward zealous fans.
Pokémon Gold Version was the first video game I ever really got into, back in 2nd grade almost 20 years ago. It’s been a really fun experience to go through the remake of my first game, meeting new characters that were added, seeing the insane upgrade of graphics, and listening to the remixes of all the music. In today’s article, I’m going to be sharing some of my thoughts about said remixes, and talking about the differences that I observed between Pokémon Gold and Pokémon HeartGold.
I’ve been more active on Instagram lately, and had the pleasure of being a guest on my friend Sydney’s live stream earlier this evening, where talked about two Legend of Zelda pieces: “Great Fairy Fountain”, from Ocarina of Time, and “Song of Healing”, from Majora’s Mask. Here’s a brief recap of what we covered in our hour-long stream!
Hello everyone! I am so happy to announce that Whimsically Theoretical is officially 2 years old! Last year in 2017, a lot of really great things happened, as well as a ton of new challenges… Read on for the 2-Year Anniversary update! 😀
I was on a roll in the first half of the year, completing two series focusing on mobile game music (check out my 30-article “Single-Track Analysis” series on Kingdom Hearts Unchained/Union Cross, and “Double-Track Analysis” series on Brave Frontier and Final Fantasy: Brave Exvius), an in-depth analysis of Breath of the Wild, as well as conducting seven more interviews with fascinating composers from different parts of the world.
In March of last year, I decided to pick up another teaching job, while my other classes were starting to subside for the school year. In August, I picked up another two programs within that new school I was teaching at, and in September, I started teaching at one more elementary school, in addition to the one I was already at for three days a week, and picked up another set of classes on Monday evenings after an already pretty full morning/afternoon… Long story short, I was teaching seven days a week between August and December. I didn’t post for a while on my website here because I was honestly so burned out and exhausted from teaching every single day, seeing over 800 students a week, going back and forth between five different schools…
Don’t get me wrong, I LOVE teaching. I adore children, especially when they are smiling and singing and dancing with me. Nothing has ever before filled my heart with so much joy. But never again will I teach seven days a week. Heck, I don’t want to do ANYTHING seven days a week, other than basic human necessity activities. If you are someone that CAN do something seven days a week, then good for you! It’s simply not something I want to do again.
As my teaching hours start to dwindle this year, and as I am dropping some classes and schools for good, my schedule will be freeing up significantly later next month, which means more time for playing and writing about video games, and composing more music!
In the last few months, I’ve been getting more focused on my own music. As some of you may know, in addition to being a music teacher and video game music enthusiast, I am also a composer! I graduated with a B.A. in Music Composition almost 4 years ago, but got a bit burnt out toward the end of college and haven’t written much music since then, focusing more on teaching and writing.
But recently a small, slowly-growing fire has been lit, and I am preparing to release some music under a new name sometime in the next few months. I have been a composer for 13 years—half of my life!—but only very recently have I gained the confidence in myself and my compositions to finally make the decision to put together a collection of my very personal pieces and release it in an album format. I had posted a bit on soundcloud before, but didn’t really advertise it too much, fearing judgement from others.
This summer, I will be releasing my first album, about 17 tracks total. There will be 13 solo piano pieces, which I’ve written over the last thirteen years, and 4 piano/vocal tracks: 3 of which will overlap/share the same title of solo piano pieces, and 1 which is entirely new (written just last year).
I have been posting some previews of my solo piano pieces that I’ve written over the years on Instagram—if you haven’t watched the videos yet, head on over to my Instagram page and check it out! I will be posting updates on Instagram as well as here on my website, so please stay tuned! ^_^
This year, I also will not be doing nearly as many interviews. This is not at all to say that I won’t be doing any more at all, but for now I am taking a break! I want to sharpen the focus on my music and my writing.
Pokémon Sapphire has a very special place in my heart, being the Pokémon game that I played over and over the most, throughout middle and high school. One of my absolute favorite aspects about this game, in addition to the music, are all the sound effects! While the SFX in most Pokémon games are almost identical across the generations, there is just something about Gen III’s sounds that stick out to me. And, for that reason, all of the customizable sounds on my phone are from that very soundtrack! :3
In the world of music, it pays off a great deal to be good at many things. This is certainly the case with multi-talented Bri Ray, who composes, sings, and does voice acting. I spoke with the kind and easy-going composer, where she talked about faith as a main influence, the magic of video games, the importance of following through with projects, and creating things from the heart.
I was initially intrigued by Misty Crowd‘s beautifully captivating vocals and quite interesting musical arrangements, then completely blown away by the depth of the composer’s insights and the fascinatingly unique lens in which she views the world. Poetry, internal movies, meditation, the role of the composer as a musical filter, and intentionally challenging herself in many different ways… Misty’s philosophical ideas are incredibly refreshing and inspiring.